Analyzing A Selection Of Childrens Literature English Literature Essay

Analyzing A Selection Of Childrens Literature English Literature Essay With the birth of the field of childrens literature over two centuries old, Carnegie Medal winners represent only a small part of the history and tradition of childrens literature. The Graveyard Book (2009), the most recent addition recipient of the award, follows some of the traditions of the field, and differs in others. In my attempt to discuss how The Graveyard Book fits into the history and tradition of childrens literature, I will be comparing it with other notable works in the field, specifically, Robert Louis Stevensons Treasure Island (1883), J. K. Rowlings Harry Potter and the Philosophers Stone (1997), and Philippa Pearces Toms Midnight Garden (1958). As a fellow Carnegie winner, Toms Midnight Garden, offers a comparison of fantasy fiction, and when considered with Harry Potter and the Philosophers Stone provides an interesting view of the changes that have occurred in the genre over the years. Treasure Island is structured similarly to The Graveyard Book, and both novels are good examples of the bildungsroman genre. In the course of this essay I will be referring to a range of critical material relevant to my discussion. The effect of childrens literature on children, and the reverse, is circular; as childrens attitudes to the world around them change, so too does the literature written for them, and as that literature changes, it again affects childrens attitudes. Furthermore, the evolution of adults understanding of childhood has affected which books are deemed suitable for publication. Childrens literature commonly exemplifies the beliefs and context of the culture in which it is written, however, since the majority of childrens literature is written by adults, it often reflects issues that concern adults, and not the intended audience. Adult-authors must make assumptions about the reaction of a child-reader or the behaviour of a child-protagonist, and in doing so, can sometimes offer a poor representation of a childs perspective. This difference between the adults and childs attitude to childrens literature can often be seen in the contrast between best-selling books, and those books that win lit erary prizes. Contrary to this, The Graveyard Book has won the Newbery Medal, Hugo Award for Best Novel, and the Locus Award for Best Young Adult novel in 2009, and the 2010 Carnegie Medal (Wikipedia contributors, 2011), spent fifteen weeks on the New York Times best-seller list for childrens chapter books (Rich, 2009), and has a film adaptation currently in production (Wikipedia contributors, 2011). Gaiman himself recognized the unusual nature of a book being both popular and prestigious, saying that typically there are books that are best sellers and books that are winners (Gaiman quoted in Rich, 2009). The popularity and prestige of a childrens book is dependent on a number of different elements; instruction and/or delight, and social, cultural and historical contexts (Maybin, 2009, p. 116). Maybin states that prizes signify a books prestige in the eyes of the critics, but they are not necessarily an indication of its appeal to children (Maybin, 2009, p. 118). The division between the childrens books awarded literary prizes, and those that are popular with children is significant. An example of such division can be seen when comparing Philip Pullmans Northern Lights (1995) and Rowlings Harry Potter and the Philosophers Stone; Northern Lights was the 1995 Carnegie Medal winner, while Harry Potter and the Philosophers Stone only reached the shortlist for the 1997 Medal, but went on to win the Nestlà © Smarties Book Prize, The British Book Award for Childrens Book of the Year and the Childrens Book Award, all of which, suggestively, have involved children in the judging process. Like The Graveyard Book, both books are fantasy-adventure novels featuring a young protagonist. All three novels are read an enjoyed by adults and children, but while Northern Lights is considered by adults to be quality literature, Harry Potter is criticised being not literature but a phenomenon (Zipes, 2009, p. 289). Nicholas Tucker (2009) argues that the criteria for judging the quality of childrens books varied according to conceptions of childhood; for those with a romantic conception, the emphasis is on an exciting, imaginative storyline, whilst those who view childhood primarily as preparation for adulthood favour books that are truly representative (Tucker, 2009, p. 153). If compared to earlier childrens books, it appears that modern childrens literature reflects the development of a clearer concept of childhood. The debate surrounding instruction and delight in childrens literature is one that has occupied scholars for centuries. The first childrens book to combine the two concepts was A Little Pretty Pocket-Book (1744), published by John Newberry, and featuring the motto, deluctando monemus instruction with delight. (Montgomery, 2009, p. 13) Prior to A Little Pretty Pocket-Book, the majority of childrens literature was Puritan in nature, and advocated childrens conversion to Christianity in order to save their souls from eternal damnation. Their concept of original sin resulted in explicitly didactic literature intended to educate children both religiously and morally. Newberys childrens book was, according to Jack Zipes, the first childrens book in which amusement rather than religious indoctrination is the central concern (Montgomery, 2009, p. 13). In contrast to the clearly religious books generated by the Puritans, Newberys books appealed to parents more interested in social and financ ial improvement; Letter to Sir declares that learning is a most excellent thing and can raise a boy from a mean State of Life to a Coach and Six (Montgomery, 2009, p. 14). A Little Pretty Pocket-Book marks the beginning of an evolution of the purpose of childrens literature into a concern more for the moral development of a child; with an emphasis on becoming a good person for the sake of ones emotional well-being rather than for fear of eternal damnation. The Bildungsroman novel, considered to have begun with the publication of Johann Wolfgang von Goethes The Apprenticeship of Wilhelm Meister in 1795-6, emphasizes this psychological development. The genre is generally distinguished by a number of topical and thematic elements (Iversen, 2009), and narrates the protagonists maturation over the course of the novel. The protagonist is usually young, and, following early unhappiness leaves home on a long and demanding journey, along the way maturing into a self-aware, socially-responsible young adult. Structurally, a Bildungsroman will often favour inter-character dialogue over extensive plot development, which causes the readers attention to be centered firmly on the protagonist. Whilst a Bildungsroman is deemed to be a German novel, many scholars use the term (spelled without a capital) to refer to other novels of a similar style that have been published elsewhere. With this in mind, it can be reasoned that The Graveyard Book follows the traditions of a bildungsroman novel. The Graveyard Book incorporates a number of the elements present in other coming-of-age novels indeed, Gaiman himself has admitted that the novel was greatly influenced by Kiplings The Jungle Books (1894), which may be considered one of the best-known of such novels (Horn, 2010). Gaiman described the idea as, something a lot like The Jungle Book and set it in a graveyard (Gaiman quoted in Rich, 2009). The similarities between the two books are clear; in the book titles, the protagonist, even in individual chapters, for example the comparisons between the third chapter in The Graveyard Book, The Hounds of God and the second chapter in Book One of The Jungle Books, Kaas Hunting. Gaimans ability to take the premise of a popular book over a hundred years old and develop it into an enjoyable childrens book that is both modern and relevant, demonstrates how the traditions of childrens literature can be transformed to meet the demands of a new audience. A further example of the on-going tradition of the coming-of-age novel is the Harry Potter series, specifically Harry Potter and the Philosophers Stone. The protagonists in both the Harry Potter novels and The Graveyard Book are orphaned as babies when their parents/family are killed by a murderer who, after failing to kill them, continues to hunt them until the two meet in a final show-down. This premise features in numerous books for children throughout the history of childrens literature, from the already mentioned Jungle Books to Lemony Snickets A Series of Unfortunate Events (1999-2006). The similarities between Harry Potter and Voldemort and Nobody Owens and the man Jack extend further than the latters desire to kill; the plots of both novels build from the murder of the protagonists family, and in both cases these murders are prompted by a prophecy that the protagonist would be the downfall of the antagonist. This concept of the child-hero is a popular one in childrens fiction and features throughout the history of childrens literature, from Wart in T. H. Whites The Sword in the Stone (1938) to Percy Jackson in Rick Riordans Camp Half-Blood series. Orphaned (whether literally or figuratively) protagonists appear frequently in childrens literature, from folk tales to contemporary fiction. A valuable literary device, an orphan provokes sympathy and can generate a perceived alliance between protagonist and reader. An orphaned child protagonist can also be convenient for the author since without parents, the budding child hero has more freedom to experience the, sometimes life-threatening, adventures that encourage his maturation. This can be seen in Toms Midnight Garden, the 1958 winner of the Carnegie Medal, and one of the Carnegie Medal 70th Anniversary top ten (The CILIP Carnegie Kate Greenaway Childrens Book Awards, 2007). Tom is able to visit the garden partly because of the absence of his parents whilst he is being cared for by his aunt and uncle, it is clear from the novel that neither adult is accustomed to caring for a child, and Tom takes advantage of this to pursue his nightly visits to the garden. Whilst Tom can be c onsidered a temporary orphan in a figurative sense, Hatty is literally an orphan, having lost both of her parents at a young age. Their status as orphans is not the only thing that Hatty and Bod share; as Hatty grows up, she ceases to see Tom, in the same way that Bod ceases to see the residents of the graveyard. Alison Waller (2009) argues that in young adult fiction the ending is always presumed to be a realisation of adulthood and maturity. (Waller, 2009, p. 54) This idea of maturation is reminiscent of Barries Peter Pan (1911) and Wendys realisation that she and her brothers cannot stay in Never Land, but must return home to grow-up. Humphrey Carpenter (1985) compares Tom and Peters attitudes to their ageing, arguing that the storys conclusion describes Toms acceptance of what Peter Pan can never accept: that Time must be allowed to pass, and growth and even old age must be accepted as necessary and even desirable facets of human nature (Carpenter, 1985). Like his predecessors in the traditions of the coming-of-age novel, Nobody Bod Owens is a likeable character, intriguing, and often contradictory in his behaviour; obedient, yet always questioning, determined, yet often managing to find trouble, courageous, yet sensitive. Happy as he is with his adoptive family in the graveyard, at the end of the novel, when he has become a young man, Bod declares that he want[s] to see lifeà ¢Ã¢â€š ¬Ã‚ ¦ I want everything (Gaiman, 2009, p. 286). While this journey of maturation shares a theme with Treasure Island, Bods declaration is in contrast to Jims final words which, rather than being optimistic at the possibility of future adventure, are fearfully reminiscent of the accursed island (Stevenson, 2008, p. 191). Structurally, The Graveyard Book and Treasure Island share some similarities; both novels centre around the adventures of a single, male protagonist, both novels can be described as being coming-of-age stories, and both novels have resolv ed endings. The novels differ in their point of view; where The Graveyard Book is generally narrated in the third-person, Treasure Island is narrated in the first-person, by Jim Hawkins. However, both novels do deviate from their standard narrative form there are several parts of The Graveyard Book where the events are recounted by either the man Jack or by Scarlett, and in Treasure Island, for chapters 16-18, Stevenson shifts the control of the narrative from Jim to Doctor Livesey. In an illustrated talk, Kim Reynolds suggests that childrens literature in its current state has been moulded by practices that began in the nineteenth century, and that whilst the content of books today differs significantly from those of the nineteenth century, there were still the same kinds of divisions then, that we have now in terms of what we might call good literature (Reynolds, EA300 DVD1, no. 5). A recurring theme in childrens literature across the years is the idea of home. Central to the domestic and school stories popular with girls in the nineteenth century, and to adventures stories popular with boys during the same period, home is either the setting for such novels, for example in Little Women, or a place of safety that the protagonist can return to after his adventures, like in Treasure Island. The Graveyard Book parts from this traditional notion of home; what should have been Bods place of safety became the place where the man Jack murdered his family, so home beca me a place that does not follow the traditional domestic image. When he leaves the graveyard as a young man, he realizes that if he does return, it will be a place, but it wont be home any longer (Gaiman, 2009, p. 286). Contrary to many earlier childrens novels advocating the traditional correlation of home and safety, in The Graveyard Book Bod is in fact safer among the dead in the graveyard, a place that is stereotypically considered scary or even dangerous. In the last two centuries, there has been a significant change in how ghosts are portrayed in childrens literature; early literature saw ghosts that were frightening, and used to teach children morals, while in contemporary literature they are just as likely to be friendly or even amusing. Both interpretations can be seen in the Harry Potter series, with the Bloody Baron representing the fearsome ghost, and Nearly Headless Nick representing the friendly. The tradition of friendly ghosts in childrens literature, such as those in The Graveyard Book, appears to have begun with William Pà ¨ne du Bois book, Elisabeth the Cow Ghost (1936) (Pearce, 1995). The appearance of ghosts in childrens fiction increased during the 1970s and 1980s, with a numb er of novels that used ghosts to teach their readers about historical events, and others that a child protagonist helping a ghost to accept his fate and move on. This is in direct contrast to The Graveyard Book, where it is Bod that has to move on into the world of the living, while the ghosts are left in the graveyard. The publication of The Graveyard Book follows a recent rise in the popularity amongst children and young adults of paranormal fiction. Fantasy fiction as it is today has been developing since the revival of folk and fairy tales in the early 1800s, advancing particularly during the First Golden Age of childrens literature. Modern fantasy tends to reject traditional sentimentality, exploring instead complex moral and sociological issues. In a similar way to modern realism, modern fantasy fiction has broached a number of taboo subjects, the most significant in The Graveyard Book, being death. In the early history of childrens literature, when death occurred in a book, it was often as a punishment, used to illustrate where the wrong path could lead. In contrast, in The Graveyard Book death is treated as a natural part of life not to be either welcomed or feared. However, unlike other childrens fiction that handles the subject, death in The Graveyard Book is largely regarded light-hearte dly, unlike for example in The Other Side of Truth, where their mothers death acts at the catalyst for Sade and Femis subsequent ordeals. The acceptance of subjects that have previously been considered taboo is, according to Rachel Falconer (2009) a result of changing conditions of contemporary childhood (Falconer, 2009, p. 373). The Graveyard Book encapsulates some of the major traditions of childrens literature and is reminiscent of some of the most noteworthy works in the history of the field. At the same time, the novel pushes the boundaries of what is accepted, unmasking a taboo subject and treating it positively but tastefully. A best-seller, the novel continues the current trend of paranormal fiction, and bridges the gap between the popular and the prestigious by winning numerous literary awards. Neil Gaimans description of his book as a book about life and childhood and the value of childhood (Gaiman quoted in Horn, 2010), places it firmly amongst the fields traditions, and the books double-win of the Newbery Medal and the Carnegie Medal gives it a significant role in the continuing development of the field of childrens literature.

Auto Industry Structure and Resources Essay

According to Taylor (2012), profits are going to be derived from a handful of mega-companies in North America, Europe, and Asia. These companies include General Motors (GM), Ford, Toyota, Volkswagen, Renault/Nissan, Hyundai/Kia, and Fiat/Chrysler. The chart below, taken from Taylor’s article, demonstrates global sales of auto makers in 2011 and what is predicted to be the companies’ global sales in 2020. (Taylor 2012). This chart reflects which auto makers are at the top in terms of sales, so this could also be interpreted as the companies that are the strongest within the industry. An industry is a group of firms that market products which are close substitutes for each other. Some industries are more profitable than others due to the dynamics of competitive structure of an industry. There are basically five forces that determine the long-run profitability of an industry; threat of entry of new competition, threat of substitutes, bargaining power of buyers, bargaining power of suppliers, and degree of competition (Porter, 2008). Many companies within the United States and world may look to the automotive industry as a possible â€Å"cash cow. This is due to the large inelastic demand followed with a hefty pay off per sale. As a company interested in entering the automotive industry competition, one may find that it is easier said than done. Since 1860, there have been over 1,800 manufacturing companies that have entered into this competitive market within the United States. Of those 1,800 manufacturers, over 760 have gone out of business, leaving a success rat e of less than 57% (Georgano, 2000). Entry into this manufacturing arena requires a huge down payment. Procuring machinery, personnel, factories, and raw materials can put a multi-million dollar price tag of investment and overhead before one sale is completed. Before these complicated pieces of machinery start rolling off the production line, sales strategies and logistics need to also be considered sinking more overhead and investment into start up costs. For the manufactures that decide to exit this market, there is a large sum of invested money and jobs that are lost. In many situations, losing such a large degree of sunk costs in a plant closure tends to become the precursor to company bankruptcy or selling off of the company. The excess inventory, machinery, and other assets will need to be sold off to try to maintain survival of the existing company. If the company has debt, income from selling off assets or the bankruptcy will be utilized to pay these debts. Either way, exiting this market can cause great financial drain and costly repercussions of the company’s financial livelihood. In recent years, more manufacturers have taken the financial risk on and been able to enter into the market. The automotive market structure began as an oligopolistic structure due to the limited vendors. In this system, several large sellers have some control over the prices. As time progresses and more domestic and foreign manufacturers enter into the competition, a more perfect competition (many buyers and sellers, none being able to influence prices) is emerging (Business Dictionary. om, 2012) reducing elasticity within the market. Education and training, wages, and technology are three major factors which impact the quantity and/or skill level of the labor supply in the auto industry. In reviewing the labor supply, we will divide the industry by business and front-line workers. These two general groups would require great variance in education and skill; therefore, the potential labor supply for each should be reviewed separately. The front-line workers in manufacturing, production, and sales of the auto industry generally require minimal education and receive on-the-job skill training. These workers may have a high school diploma and great variance in skill level for manufacturing and sales. They will receive the training needed on the job and their wages will not greatly vary; therefore, the effect of changes in training and wages for those workers of the industry would be considered minimal in changes to the supply curve. For this group, advances in technology would have a greater impact. In reviewing the labor supply for the business segment of the automobile industry such as business management, engineering, and marketing, this is the population of the industry which must: understand and keep track of changing consumer demands, understand how to maximize opportunity for growth, how to forecast, how to market, and be innovative in design and features of automobiles as technology continues to advance and the market remains competitive. According to the Consumer Population Survey (CPS), in 2011 the U. S. Labor Force, age 25 and older, with only a high school education made up over three and a half million potential laborers; while in the same year, those unemployed with a college degree equated to around two million (Bureau of Labor Statistics, 2012). Therefore, the total labor supply for the industry was nearly six million with varying skill levels. The auto industry was hit hard during the recession and is still coping with large structural changes. Over the past couple of years, the automobile companies have closed plants and discontinued brands and they downsized, restructured and cut budget to bring costs more in line with sales. They also cut jobs, as many as 300,000 or more according to some estimates. Recently, the profits of the auto industry have turned around and they are, again, making profits. There is now a shortage of workers with the right skill-set. The challenge is finding the right workers with the right skills needed by the workers in the industry, especially as more teams work globally. Because of the new technologies and operations, so called â€Å"un-skilled† workers are rarely needed now. The workers also need problem solving skills and decision making skills. Creating a workforce with these abilities requires a different approach by the human resources team. Better workforce planning is essential to creating the right fit. Automakers are turning their attention to building automobiles that either rely less on traditional fuel sources or use cheaper renewable sources of energy. These â€Å"green† solutions will attract consumers. As automakers are turning their attention to new technology, their talent must be able to grow with them. The shift in consumer preferences in the auto market towards hi-tech, fuel-efficient and environmentally friendly vehicles is a significant challenge to the industry. Auto manufacturers and suppliers will have to adapt quickly to the new technology and invest in research and development. Globalization has also put pressure on the auto industry and its traditional workforce. The future demand will be that auto companies have a flexible workforce that can constantly learn and refresh its skills. The workforce must be able to be flexible and the industry must leverage rapid learners and be able to re-train employees and re-design jobs. This will be costly for the automobile industry but will be needed to be successful and beat the competition. There may not be a need for the unskilled worker in the auto industry, but there will always be a need for workers. Their roles will change to keep up with the technology and changing markets. Steel, plastic, aluminum, rubber, and glass are the top five materials used in the automobile production process (George P. , 2012). While some of these materials are derived from a natural resource which could potentially pose risk on quantity, such as steel from iron ore and rubber from petroleum, there are forms of either synthetic or renewable resources for each as well as the ability to recycle all of these materials for reuse. None of these materials are of precious minerals and there are no real variances found in quality of such materials. For example, recycled steel, aluminum, and glass can be used in automobiles because they can be recycled indefinitely without losing their properties (RubberAsia, 2009, Hincha-Ownby, 2010, and Blue, 2012). Historically, the automotive and construction markets have remained the largest consumers of steel, with more than half of the steel produced. Over the past few years, China has emerged as the major consumer of steel, with the U. S. ext, followed by Japan. In 2008, the steel industry suffered a decline due to the recession. This was seen by consumers buying existing inventories of vehicles rather than buying new stock. The industry turned around in 2009 and continued to grow. Replacement tires are the second highest operating expense for commercial fleets, next to fuel (Automotive Fleet, 2011). In 2010, the cost for tires in the passenger car segment was up 11%. Almo st 60 percent of the world’s rubber is consumed by the global tire industry. China is the world’s largest rubber consumer

Religion As A Foundation Of Morality Essay - 910 Words

For several hundreds, perhaps even thousands, of years, religion has been part of nearly all cultures. Starting as a rather barbaric force, religion swiftly diffused into nearly every culture across the globe. Almost every culture has adopted, forcefully at times, some form of religion. It is asserted that before religion, we were nothing short of barbaric savages with no sense of right or wrong; it is said that religion saved us from an imminent self-destruction from our unethical ideas. Some will even assert that we need religion as a foundation of morality to guide us to divine tranquility and peace. I humbly object to this by saying we certainly do not, nor did, need religion to develop our morality in society. This is supported by evidence found in the human-like characteristics observed in primates, such as being able to understand the concept of fairness, or plan for the future. Something that humans know and do quite often. Plenty of people find solace in the idea that religion was the founder and creator of basic human decency, and without religion there would be chaos and anarchy in human societies. So the question arises, where would our morality be without religion? At first it may seem sensible. The 10 commandments proposes 10 rules to follow--even though, nowadays, only a few of these commandments are widely considered to be immoral if directly disobeyed. Another example is Karma: one s actions will have an effect on them later in life that depends on theirShow MoreRelatedEssay Monotheism vs. Polytheism1577 Words   |  7 Pagesconcept of morality can and does exist within cultures that have only one god, as well as cultures that have multiple gods. Without morality, the world would be a place of extreme chaos and pandemonium. However, the foundation for morality within polytheistic religions is quite contradictory to the foundation for morality with monotheistic religions. 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Timeline of the Scottsboro Boys Case

In March of 1931, nine young African-American men were accused of raping two white women on a train. The African-American men ranged in age from thirteen to nineteen. Each young man was tried, convicted and sentenced in a matter of days. African-American newspapers published news accounts and editorials of the events of the case. Civil rights organizations followed suit, raising money and providing defense for these young men. However, it would take several years for these young mens cases to be overturned. 1931 March 25: A group of young African-American and white men engage in a scuffle while riding a freight train. The train is stopped in Paint Rock, Ala and nine African-American teens are arrested for assault. Soon after, two white women, Victoria Price, and Ruby Bates charge the young men with rape. The nine young men are taken to Scottsboro, Ala. Both Price and Bates are examined by doctors. By the evening, the local newspaper, Jackson County Sentinel calls the rape a revolting crime. March 30: The nine Scottsboro Boys are indicted by a grand jury. April 6 - 7: Clarence Norris and Charlie Weems, were placed on trial, convicted and given the death sentence. April 7 - 8: Haywood Patterson meets the same sentence as Norris and Weems. April 8 - 9: Olen Montgomery, Ozie Powell, Willie Roberson, Eugene Williams, and Andy Wright are also tried, convicted and sentenced to death. April 9: 13-year-old Roy Wright is also tried. However, his trial ends with a hung jury as 11 jurors want the death sentence and one vote for life in imprisonment. April through December: Organizations such as the National Association for the Advancement of Colored People (NAACP) as well as the International Labor Defense (ILD) are astonished by the age of the defendants, length of their trails, and sentences received. These organizations provide support to the nine young men and their families. The NAACP and IDL also raise money to for appeals. June 22: Pending an appeal to the Alabama Supreme Court, the executions of the nine defendants are stayed. 1932 January 5: A letter written from Bates to her boyfriend is uncovered. In the letter, Bates admits she was not raped. January: The NAACP withdraws from the case after the Scottsboro Boys decide to let the ILD handle their case. March 24: The Alabama Supreme Court upholds the convictions of seven defendants in a vote of 6-1. Williams is granted a new trial because he was considered a minor when he was originally convicted. May 27: The United States Supreme Court decides to hear the case. November 7: In the case of Powell v. Alabama, the Supreme Court ruled that the defendants were denied the right to counsel. This denial was considered a violation of their right to due process under the Fourteenth Amendment. The cases are sent to the lower court. 1933 January: Noted attorney Samuel Leibowitz takes the case for the IDL. March 27: Pattersons second trial begins in Decatur, Ala before Judge James Horton. April 6: Bates comes forward as a witness for the defense. She denies being raped and further testifies that she was with Price for the duration of the train ride. During the trial, Dr. Bridges says that Price showed very little physical signs of rape. April 9: Patterson is found guilty during his second trial. He is sentenced to death by electrocution. April 18: Judge Horton suspends Pattersons death sentence after a motion for a new trial. Horton also postpones the trials of the eight other defendants as racial tensions are high in town. June 22: Pattersons conviction is set aside by Judge Horton. He is granted a new trial. October 20: The cases of the nine defendants are moved from Hortons court to Judge William Callahan. November 20: The cases of the youngest defendants, Roy Wright, and Eugene Williams, are moved to Juvenile Court. The other seven defendants appear in Callahans courtroom. November to December: Patterson and Norris cases both end in the death penalty. During both cases, Callahans bias is revealed through his omissions—he does not explain to Pattersons jury how to deliver a not guilty verdict and also does not ask for the mercy of God upon Norris soul during his sentencing. 1934 June 12: In his bid for re-election, Horton is defeated. June 28: In a defense motion for new trials, Leibowitz argues that qualified African-Americans were kept off jury rolls. He also argues that names added on the current rolls were forged. The Alabama Supreme Court denies the defense motion for new trials. October 1: Lawyers associated with ILD are caught with $1500 bribe that was to be given to Victoria Price. 1935 February 15: Leibowitz appears before the Supreme Court of the United States, describing the lack of African-American presence on juries in Jackson County. He also shows the Supreme Court justices the jury rolls with forged names. April 1: In the case of Norris v. Alabama, the United States Supreme Court decides that the exclusion of African-Americans on jury rolls did not protect African-American defendants of their rights to equal protection under the Fourteenth Amendment. The case is overturned and sent to a lower court. However, Pattersons case is not included in the argument because of filing date technicalities. The Supreme Court suggests that lower courts review Pattersons case. December: The defense team is reorganized. The Scottsboro Defense Committee (SDC) is established with Allan Knight Chalmers as chairman. Local attorney, Clarence Watts serves as co-counsel. 1936 January 23: Patterson is retried. He is found guilty and sentenced to 75 years in prison. This sentence was a negotiation between the foreman and the rest of the jury. January 24: Ozie Powell pulls a knife and slashes a police officers throat while being transported to Birmingham Jail. Another police official shoots Powell in the head. Both the police officer and Powell survive. December: Lieutenant Governor Thomas Knight, the prosecuting attorney for the case, meets with Leibowitz in New York to come to a compromise. 1937 May:Â  Thomas Knight, a justice on the Alabama Supreme Court, dies. June 14:Â  Pattersons conviction is upheld by the Alabama Supreme Court. July 12 - 16: Norris is sentenced to death during his third trial. As a result of the pressure of the case, Watts becomes sick, causing Leibowitz to steer the defense. July 20 - 21: Andy Wrights is convicted and sentenced to 99 years. July 22 - 23: Charley Weems is convicted and sentenced to 75 years. July 23 - 24: Ozie Powells rape charges are dropped. He pleads guilty to assaulting a police officer and is sentenced to 20 years. July 24: The rape charges against Olen Montgomery, Willie Roberson, Eugene Williams, and Roy Wright are dropped. October 26: The United States Supreme Court decides not to hear the appeal of Patterson. December 21: Bibb Graves, the governor of Alabama, meets with Chalmers to discuss clemency to the five convicted defendants. 1938 June: The sentences given to Norris, Andy Wright, and Weems are affirmed by the Alabama Supreme Court. July: Norris death sentence is commuted to life imprisonment by Governor Graves. August: A denial of parole is recommended for Patterson and Powell by an Alabama parole board. October: A denial of parole is also recommended for Norris, Weems, and Andy Wright. October 29: Graves meets with the convicted defendants to consider parole. November 15: The pardon applications of all five defendants are denied by Graves. November 17: Weems is released on parole. 1944 January: Andy Wright and Clarence Norris are released on parole. September: Wright and Norris leave Alabama. This is considered a violation of their parole. Norris returns to jail in October 1944 and Wright in October 1946. 1946 June: Ozie Powell is released from prison on parole. September: Norris receives parole. 1948 July:Â  Patterson escapes from prison and travels to Detroit. 1950 June 9: Andy Wright is released on parole and finds a job in New York. June: Patterson is caught and arrested by the FBI in Detroit. However, G. Mennen Williams, governor of Michigan does not extradite Patterson to Alabama. Alabama does not continue its attempts to return Patterson to prison. December: Patterson is charged with murder after a fight in a bar. 1951 September: Patterson is sentenced to six to fifteen years in prison after being convicted of manslaughter. 1952 August: Patterson dies of cancer while serving time in prison. 1959 August: Roy Wright dies 1976 October: George Wallace, governor of Alabama, pardons Clarence Norris. 1977 July 12: Victoria Price sues NBC for defamation and invasion of privacy after its broadcast of Judge Horton and the Scottsboro Boys airs. Her claim, however, is dismissed. 1989 January 23: Clarence Norris dies. He is the last surviving Scottsboro Boys.